Liturgical Dance: JOB 23:1-17
Three of my Seminarians crafted and performed this liturgical-dance interpretation of Job 23 as a final exegetical project in my OT-2 course this Spring. Classmates Maggie Paul, Ellie Singer, and Lydia Arnts collaborated in creating the dance and recording the video embedded below. As the video begins, Lydia enters as Job and lays his legal case before God (vv. 4-5). Job kneels on the ground in rebellion (v.2) and God (Maggie) faces away reflecting Job's sense of abandonment but also God's allowing Job space to vent and imagine. Job's beckoning hand movements reflect his imagined ideal of being able to summon God. As Ellie takes up the part of Job (@ 00:26), she enacts vv. 8-9, where Job looks to every direction in search of God, but cannot see him. She arises as "gold" (v. 10) at 00:47. Then she proceeds to walk in step with God. Verses 13-14 come to life as Ellie embodies God's pumping up God's arms. Job's dread seen in v. 15 comes to life as Maggie, as Job, is covered by darkness (v. 17), yet at the end she raises her head expressing the persistence and defiance expressed in the NIV's rendering of v. 17.